Thanks to the Illustration Institute and sponsorship from the Roxanne Quimby Foundation, I was immersed in Fashion Illustration Week, held at the venerable Mechanics Hall in Portland, Maine.
On Monday our class received a swag bag of treats including an Uppercase Magazine!
Alex Rheault, a former colleague at Maine College of Art, demonstrated the croquis, a fashion sketch figure upon which any garment can be drawn.
Our class of 20 included painters, designers, textile artists, actors, writers, retired art teachers, illustrators, and fashion thinkers. We worked in the spacious ballroom with ample reference material and supplies on hand.
Alex displayed her fashion drawings on several walls.
Piles of books and magazines provided inspiration and distraction.
Illustration Institute’s nimble assistant, Olwyn Moxhay, made mixed media magic of her own.
My table buddy, Jane Krasnow, created this fetching combo of patterns which I would wear in a second.
And I’d wear this, too, by Illustration Institute co-founder, Nancy Gibson Nash.
I had fun playing with patterns and cut paper shapes.
Alex drew Thurl Headen, an island neighbor and Renaissance man who bakes, designs and sews his own clothes, and is a classical musician.
We kept drawing all afternoon.
That evening, costume historian, Edward Maeder, gave a lecture in Osher Hall at MECA on the Art of Fashion: Mirrors of Humanity.
Bijou Karman taught on Tuesday, sharing a slide show of favorite contemporary fashion illustrators.
She brought an incredible sketchbook full of bold paintings with delicate hand-lettering.
She demonstrated her technique in gouache.
I delighted in seeing what others were up to. Here is Alison Goodwin painting away.
This is my island neighbor Suzanne Parrott’s stylish work in progress.
Textile and fashion designer Michael Shyka brought his own hand-painted silk garments for drawing.
My former student and Illustration MECA alum, Emma McCabe, joined the class for the day.
As did another Illustration MECA alum, Joe Rosshirt who found inspiration in a fashion magazine to create a portrait of Tommy Lee Jones.
Meanwhile I was having a blast getting reacquainted with gouache, a medium I used early in my career.
Love this ginger girl by Cat Stiny.
Meanwhile, Bijou was quietly making marvels at her table easel.
That evening’s lecture was by New Yorker cover artist Jenny Kroik, whose keen eye for street fashion brings a reportage approach to her fluid work.
Born in Russia, Jenny lived in Israel and Oregon before landing in the Bronx. She said, “Art for galleries made me nervous,” so she approached the New York City overload by working small, and focusing on one detail, like a cool skirt. She likes gouache because “you can make mistakes!” She finds material by drawing from life, sketching as note-taking, and photographing people and details she encounters. These visual narratives all begin with a brush.
On Wednesday our class met up at the Portland Museum of Art where Jenny coached us to roam about and sketch people or art that would serve as elements in our own fashion illustrated story.
I sketched fellow classmate Asata Radcliffe, a writer, filmmaker, and liberal arts professor at Maine College of Art.
I couldn’t resist the eucalyptus bouquet in the lobby area, while watching the entrance.
Back in the classroom, Jenny discussed the use of thumbnail sketches to plot out composition.
Jenny did a quick painting demo with a set of paints she had pre-mixed, and from multiple sources of reference.
This is a loose work in progress. Her confident brushwork is a sight to behold!
My painting included a graphic jacket worn by a museum patron.
On Thursday Alex Rheault moderated an informative panel on Fashion in Practice. Local designers Jill McGowan, Roxi Suger, and Adele Masengo Ngoy shared their histories in design and the passions that drive them.
That afternoon we drew from models! Roxi and Alex donned fashions from the racks and struck runway poses.
Quick but fun, I could’ve done this for hours.
Bijou captured it all in ink wash.
Jane instead made this fun collage.
We gathered in the Library for a final reception with amazing food by Bread and Butter.
I couldn’t make it to Friday’s open studio, but will be savoring all this style immersion for a long time. Thanks again to Illustration Institute for a fantastic week of fashion illustration!
I’m not much of a fashion plate but this blog post that you just served us up, Jamie, is a mouthwatering delight of color and form, pure grace and fun. Thanks for making a gray news day sparkle.
Nicole, thanks for reading and your kind words!
We loved having you!
Scott, such a total blast to be in part of all that style! Thanks again.