Maine College of Art

collecting moons

Posted by on Oct 8, 2014 in Luna Press, Maine College of Art, Pastels | 1 comment

October is my month, and it’s filled to the brim with everything right now. Today’s full moon coincides with the preview opening of Collect at Maine College of Art, their fall art sale that supports both scholarships for students and the artists participating. I’ve included Seven Moon Sonata just for this auspicious occasion: I also have two pastels done during a residency at MECA’s Pace House, Flea Island and The Pace Barn. While retrieving the original art for Collect, I visited the Jamie Wyeth show in Boston as a guest of Luna Press publisher, Nancy F. W. Passmore,...

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secrets of the sea

Posted by on Sep 24, 2014 in Book: Here Come the Humpbacks, Drawing, Maine College of Art, Portland Public Library | 3 comments

What an honor to be in another show at USM’s  Atrium Art Gallery in Lewiston, Maine, curated by Robyn Holman, one very devoted fisher of art. She’s gathered in her net a spectacular catch of wonders in Secrets of the Sea. My three pastels from Here Come the Humpbacks! hang beneath a bladderwrak raku by Anne Alexande and next to an oil titled Tidal Dance by Wendy Newcomb. Since today is Happy Hump(back) Day, here are better views: The non-fiction picture book by April Pulley Sayre includes the epic journey humpbacks make as well as their obstacles. All marine life in  Federal...

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sketchbooking picnic

Posted by on Aug 7, 2014 in Art Classes, Book: Here Come the Humpbacks, Maine College of Art, Peaks Island | 0 comments

What fun to repeat the Sketchbook Workshop I did last year with Judy Labrasca, this time with a new flock of arty folks. Judy and I shared sketchbooks and materials with the class and began our trek, starting by the “army dock” near the ferry landing  on Peaks Island.  She gave a nimble watercolor demo with a brush pen. I added a quick pencil sketch to the handmade sketchbook from last year. Another curious flock kept an eye on us. The boat in the background above is the E Cosi, which sailed into my illustration in Here Come the Humpbacks! I drew a goose on sanded pastel paper,...

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daring adventures in collage

Posted by on Jun 6, 2014 in Book: Nest Nook & Cranny, Children's Book Illustration, Collage, Illustration, Maine College of Art, Publisher: Charlesbridge Publishing | 0 comments

When my super talented kin Mati Rose McDonough asked to interview me for her colorful e-course, Daring Adventures in Collage, I said YEAH! It prompted me to consider my connections to collage and the currents running through all my work. I didn’t discover collage formally until art history class at RISD, but had made cut paper cards as a child. This is my first published illustration, incorporating a scrap of Dick and Jane text to reference an educational crisis in teaching, August of 1980! My first eight years of freelance illustration in Boston brought opportunities for collage added...

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runway MECA

Posted by on May 29, 2014 in Fashion Illustration, Maine College of Art | 0 comments

Maine College of Art’s second fashion show rocked the runway in early May. Introducing the Collection of it’s new program, Textile and Fashion Design, Department chair Anne Emlein and suave MC Paul Lewandowski, Assistant Adjunct Professor, glowed with pride.  My daughter and I loved the show last year (I wrote about the inaugural show here) yet this year’s event was even better, with all student-made work from freshmen to seniors. The broad range of materials, moods, and model shapes was a complete thrill. I sketched a few afterwards, like this silkscreened tunic by Allie...

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MECA morphing

Posted by on May 9, 2014 in Illustration, Maine College of Art | 0 comments

What a privilege to push/pull a talented senior class to the finish line in their last semester at Maine College of Art. I’m so proud of them! It’s been long, and yet a blink of an eye. Here’s a flicker of what’s transpired in IL 423, Illustration Majors Studio: Maria Antuna tackled 20 portraits of MECA faculty and staff, stacked according to the floor in which they work. At every crit, more faces appeared. Maria considered many options for how to pull these all together. Watercolor? Digital? During class critique, the majority liked the watercolors. But Maria had a...

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